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Music at AshmontThe Choirs Biographies Music List C.B. Fisk Opus 103 Centennial Organ
Ashmont Hill Chamber Music The ChoirsLearn more about the choirs at the Parish of All Saints: The Choir of Men & Boys, the Chamber Choir, and the St. Cecilia Choir.
Admission to the choir for boys currently in the second through fourth grades takes place throughout the school year. No prior musical experience or religious affiliation is required. The only requirements are musical aptitude, receptivity to musical training, and a firm commitment of time for rehearsals and services. Most of the boys come to the choir without any prior singing experience For more information, please contact Andrew Sheranian, the Organist and Master of Choristers at 617-436-3520, ext. 212, or at organist@allsaints.net. The is a mixed-voice ensemble which specializes in the a cappella repertoire for Mass and Evensong. They perform on alternate Sundays during the summer and the choir sings occasionally during the choral term. Admission to this Choir is by audition. Please contact the Music Office (617-436-3520, ext. 212) to express your interest. The consists of women from the Parish of All Saints who provide choral music for the 10:00 am Solemn Mass on Sundays during the summer months. St. Cecilia Choir is open to any woman who enjoys singing and would like to work on vocal and music-reading skills. To learn more, please contact the Music Office, 617-436-3520 x212. Biographies
Prior to his appointment in Rye, Mr. Sheranian was enrolled at Yale University through the Institute of Sacred Music, where he completed his Master of Music degree. While enrolled at Yale, Mr. Sheranian was engaged as Fellow in Church Music at Christ Church, New Haven, where he worked with Martin Jean and Robert Lehman. His undergraduate training was completed at the New England Conservatory of Music, under the tutelage of William Porter. As a student in Boston, he worked with Michael Kleinschmidt as Assistant Organist at All Saints, Ashmont. He has given solo recitals at Boston’s Old West and Old South Churches, Busch Hall at Harvard University, St. Mary the Virgin and St. Thomas Church Fifth Avenue in New York City, Woolsey Hall at Yale University, and on Temple Square in Salt Lake City. In February of 2006, Mr. Sheranian undertook a concert tour of Japan, where he played solo recitals at Suntory Hall in Tokyo, and Minato Mirai Hall in Yokohama. This coming season, he will give solo recitals at the Cathedral of the Madeleine in Salt Lake City, the Cathedral of the Incarnation in Garden City, New York, and at the Methuen Memorial Music Hall, Methuen, Massachusetts. In addition to his church and concert engagements, Mr. Sheranian is involved as a member of the Association of Anglican Musicians, and has served as a Regional Chair of that organization. He is currently serving on the Board of Directors of the Royal School of Church Music in America. You can read Mr. Sheranian's most recent letter to the parish here.
He was formally introduced to the organ at Interlochen Arts Camp in Michigan in 2008, and in the years since he has performed on National Public Radio's Pipe Dreams, given numerous recitals in and around his hometown, and worked as an American Guild of Organists substitute organist for ten churches in northern New Jersey. On the piano, his interests lean heavily towards jazz. As both a sophomore and junior in high school, he was selected to be the pianist for the New Jersey All State Jazz Ensemble. Then, as a senior, he was selected to be the pianist for the All Eastern Jazz Ensemble, a jazz band that pulls the top high school jazz musicians from twelve states on the east coast. He frequently performed at local jazz clubs and open mic nights with his jazz/funk organ trio. At MIT, he plans to continue studying music along with engineering and physics. He plays in MIT's formal jazz ensemble, sings in MIT's a cappella group Resonance, and is an MIT Emerson scholar on jazz piano.
Music ListAshmont Music List for Epiphanytide 2012 Archive:Lessons & Carols, Christmas 2011, and Epiphany 2012 Fall 2011 Eastertide through Trinity 2011 Holy Week 2011 Autumn 2010 through Lent 2011 January to June, 2010 Through December 2009 Ash Wednesday through Easter Day, 2009, Year B Advent to Last Epiphany, 2008-09, Year B September through November, 2008, Year A September to December, 2008 Easter-Tide 2008 Ash Wednesday to Easter 2008 December 2007 September to November 2007 January to March 2007 December 2006 Friends of MusicThe Friends of Music at All Saints exists to generate financial support for and public awareness of the music program of All Saints, Ashmont, and to preserve and encourage the unique tradition represented by the Choir of Men and Boys. Through fund raising, fellowship, communication, and logistical assistance we strive to support the work of the Choirmaster and Choirs, and to provide opportunities for the alumni, past and current parents, and all who value this program to participate in ensuring its continued success. Ashmont Hill Chamber Music. is a community-based organization founded in 1985 to provide an accessible and affordable concert series for the residents of Dorchester and its surrounding communities, to create new audiences for chamber music, and to strengthen the sense of community among the audience, volunteers, and musicians who come together at each concert. In 2011, AHCM achieved its 25th season of presenting varied programs balancing innovative works, some never before or rarely performed, with traditional classic chamber music, both vocal and instrumental. If you have any questions about AHCM or its concerts, please email at lheinrichs@ashmonthillchambermusic.org Boston City Singersmission is to provide children and young people with extraordinary choral music experiences, regardless of a child’s musical background or socio-economic circumstances, which lead to informed, expressive, and empowering performances. Boston City Singers teaches young singers to learn and perform a dynamic, distinctive and challenging repertoire, supporting the Boston community's rich artistic diversity by performing in a variety of settings and for diverse audiences.
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